Jacopo Amigoni
1685-1752
Italian Jacopo Amigoni Galleries
He was born in Naples or Venice. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi.
Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725-1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His Arraignment of Paris hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in England, in Pown House, Moor Park and in the Theatre of Covent Garden. From there, he helped convince Canaletto to travel to England by telling him of the ample patronage available.
From his travel to Paris in 1736, he met the celebrated castrato named Farinelli. Later in Madrid, he was to paint a self-portrait with the singer and entourage. He also encountered the painting of François Lemoine and Boucher.
In 1739 he returned to Italy, perhaps to Naples and surely to Montecassino, in whose Abbey existed two canvases (destroyed during World War II). Until 1747, he travelled to Venice to paint for Sigismund Streit, for the Casa Savoia and other buildings of the city. In 1747 he left Italy and established himself in Madrid. There he became court painter to Ferdinand VI of Spain and director of the Royal Academy of Saint Fernando. He died in Madrid. Related Paintings of Jacopo Amigoni :. | Amigoni Bildnis einer Dame | Portrait of Marquis of Ensenada | Portrait of Maria Anna of Sulzbach | Recreation by our Gallery | Carlo Broschi, Farinelli | Related Artists: Robert Nanteuil1623-78
French engraver, draughtsman and pastellist. He was the son of Lancelot Nanteuil, a wool merchant, and submitted his thesis in philosophy, for which he engraved the headpiece, at the Jesuit College of Reims, in 1645. He went on to work in the studio of Nicolas Regnesson, whose sister he married in 1646, before moving to Paris in 1647. His early work mainly consisted of portrait drawings in black lead on parchment (e.g. Paris, Louvre), and he continued to draw throughout his career. He took 155 of his 221 portraits directly from life. His drawing style was influenced by Philippe de Champaigne, and he based his engraving technique on the work of Claude Mellan and Jean Morin. By 1652 he had developed his own technique Jules Emile SaintinFrance 1829-1894 Hicks, ThomasAmerican Painter, 1823-1890
Cousin of Edward Hicks. After being apprenticed (c. 1835-9) in the sign-painting shop of his cousin, he studied at the Pennsylvania Academy of the Fine Arts in Philadelphia (1839-40) and at the National Academy of Design in New York (1840-44). He then sketched and painted in England, Italy and France before becoming a student of Thomas Couture in Paris (1848-9). On his return to the USA in 1849, he established a studio in New York and quickly became a popular portrait painter, although his portrayals only rarely have enough psychological depth to make them of more than documentary interest. Hamilton Fish (1852; New York, City Hall) is among his stronger works. Hicks also painted genre subjects, such as Musicale: Barber Shop, Trenton Falls (1866; Raleigh, NC Mus. A.), and landscapes, the latter chiefly near Thornwood, his summer residence at Trenton Falls, NY.
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